jimik@stmiki.ac.id 081377790601 Online Submission Open
Vol. 5 No. 3 (2024) • Articles
Open Access

Representasi Premanisme dalam Film Pendek Loz Jogjakartoz (Analisis Semiotika Roland Barthes)

Ryo Riandika Risdarminto
Universitas Teknologi Yogyakarta
Ertika Nanda
Universitas Teknologi Yogyakarta
Published: September 20, 2024 Pages: 2431-2442
Original Full-Text Article
Download published version for reading and archiving
Download PDF
Abstract

This research was conducted with the aim of knowing and explaining the representation of thuggery shown in the Loz Jogjakartoz short movie. Thuggery is one of the most familiar issues in Indonesia. This research is a qualitative research using analysis technique Roland Barthes' semiotic theory. The results of this research are the analysis denotative, connotative, and mythological meanings. In addition to a thug, thuggis behavior is also demonstrated by detective and liquor seller. The representation of thuggery in the Loz Jogjakartoz short movie depicts thugs who do not look exactly like the stereotypical image of thugs understood by society, which is that thugs must have tattoos, piercing, long hair, behave rudely, get drunk, and wear leather jackets. However in this movie, the representation of thuggery is only shown through aspects of having piercing, wear leather jacket, and behaving rudely.

Keywords:
Representation Semiotic Short Movie Thuggery
Article Metrics & Downloads Graph
Monthly Download Trends:
Author Biographies
Ryo Riandika Risdarminto Universitas Teknologi Yogyakarta

Program Studi Ilmu Komunikasi, Fakultas Bisnis & Humaniora, Universitas Teknologi Yogyakarta, Kabupaten Sleman, Provinsi Daerah Istimewa Yogyakarta, Indonesia.

Ertika Nanda Universitas Teknologi Yogyakarta

Program Studi Ilmu Komunikasi, Fakultas Bisnis & Humaniora, Universitas Teknologi Yogyakarta, Kabupaten Sleman, Provinsi Daerah Istimewa Yogyakarta, Indonesia.

How to Cite
Risdarminto, R. R., & Nanda, E. (2024). Representasi Premanisme dalam Film Pendek Loz Jogjakartoz (Analisis Semiotika Roland Barthes). Jurnal Indonesia : Manajemen Informatika Dan Komunikasi, 5(3), 2431-2442. https://doi.org/10.35870/jimik.v5i3.915
License

Creative Commons Attribution 4.0 International License (CC BY 4.0)

This is an open-access article distributed under the terms of the Creative Commons Attribution 4.0 International License .

  • Share: You are free to copy, distribute, and transmit the work in any medium or format.
  • Adapt: You are free to remix, transform, and build upon the work for any purpose, even commercially.
  • Attribution: You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
Copyright & Retention: Authors retain copyright without restrictions and grant this journal the right of first publication under an open-access model. The journal retains non-exclusive publishing rights for archiving, indexing, and scholarly dissemination.

References
Total: 31 References
  1. Agustina, I., & Rahadi, P. F. (2022). Representasi Makna dan Nilai Gaya Busana Preman pada Tokoh Film Preman Pensiun. Jurnal Seni Nasional Cikini, 8(1), 13-22. DOI: https://doi.org/10.52969/jsnc.v8i1.134.
  2. Alpina, C., Rozi, F., & Desky, A. F. (2023). Representasi Pubertas Pada Remaja Perempuan Dalam Film Animasi “Turning Red”(Analisis Semiotika Roland Barthes). Jisos: Jurnal Ilmu Sosial, 1(12), 1175-1188.
  3. Ariffananda, N., & Wijaksono, D. S. (2023). Representasi Peran Ayah dalam Film Ngeri-Ngeri Sedap (Analisis Semiotika John Fiske). Andharupa: Jurnal Desain Komunikasi Visual & Multimedia, 9(02), 223-243. DOI: https://doi.org/10.33633/andharupa.v9i02.7887.
  4. Barton, W., & Beck, A. (2010). Bersiap mempelajari kajian komunikasi. Yogyakarta: Jalasutra.
  5. Fiske, J. (2010). Introduction to communication studies. Routledge.
  6. Gunawan, I. (2022). Metode Penelitian Kualitatif: teori dan praktik. Bumi Aksara.
  7. Hall, S. (1997). Representation: cultural representations and signifying practices. (No Title).
  8. Ikhsan, Y. (2022). Pembingkaian Citra Polisi pada Tagar# PercumaLaporPolisi (Analisis Wacana Kritis Metode Norman Fairclough). Professional: Jurnal Komunikasi Dan Administrasi Publik, 9(2), 217-224.
  9. Indonesia, T. R. K. B. B. (2018). Kamus besar bahasa Indonesia.
  10. Indonesia. (2011). Undang-Undang Republik Indonesia Nomor 33 Tahun 2009 Tentang Perfilman. Kementerian Kebudayaan dan Pariwisata.
  11. Kusnawan, A. (2004). Komunikasi & penyiaran Islam: mengembangkan tabligh melalui mimbar, media cetak, radio, televisi, film, dan media digital. Benang Merah Press.
  12. Lubis, K., Ardhian, M. I., Rumahorbo, D. U. J., & Barus, F. L. (2021). Makna Konotasi dan Denotasi dalam Lirik Lagu Himalaya karya Maliq D’essentials. Lingua Susastra, 2(2), 57-66.
  13. Margaret, M., & Prasetya, M. N. P. (2024). Organized Crime Dalam Aksi Premanisme Pada Prostitusi di Wilayah Tangerang Selatan. IKRA-ITH HUMANIORA: Jurnal Sosial dan Humaniora, 8(1), 109-119.
  14. Masruroh, S. A. (2022). Representasi Cinderella complex pada sinetron Ikatan Cinta. Bricolage: Jurnal Magister Ilmu Komunikasi, 8(2), 201-220. DOI: http://dx.doi.org/10.30813/bricolage.v8i2.3066.
  15. McQuail, D. (2010). McQuail's mass communication theory. Sage publications.
  16. Munthe, A. K., Hanifa, V. M., Hamadi, I. G., & Nurfaiza, C. A. (2023). Fenomena Preman Berkelompok di Indonesia (Bentuk Praktik Hirabah dalam Hukum Islam). Al-Jinayah: Jurnal Hukum Pidana Islam, 9(2), 236-265. DOI: https://doi.org/10.15642/aj.2023.9.2.236-265.
  17. Nasirin, C., & Pithaloka, D. (2022). Analisis Semiotika Roland Barthes Konsep Kekerasan Dalam Film The Raid 2 Berandal. Journal of Discourse and Media Research, 1(01), 28-43.
  18. Nugroho, A. S., Sularto, R. B., & Wisaksono, B. (2017). Tinjauan kriminologis tindak premanisme oleh pengamen di simpang lima kota Semarang. Diponegoro Law Journal, 6(1), 1-19. DOI: https://doi.org/10.14710/dlj.2017.15659.
  19. Parmentier, R. J. (2015). Representation, symbol, and semiosis: Signs of a scholarly collaboration. Signs and Society, 3(1), 1-7.
  20. Pendidikan, K., & Indonesia, K. R. (2016). Buku Guru Bahasa Inggris. Jakarta: Kementrian Pendidikan dan Kebudayaan.
  21. Piliang, Y. A., & Adlin, A. (2003). Hipersemiotika: tafsir cultural studies atas matinya makna. Jalasutra.
  22. Pradipta, K. A., & Suardana, W. I. (2017). Tinjauan Kriminologi Terhadap Kejahatan yang Dilakukan oleh Preman di Polda Bali. Universitas Udayana.
  23. Prasanti, D., & Indriani, S. S. (2017). PEMAKNAAN SIMBOL DALAM KOMUNITAS ‘BROTHERHOOD’(Konstruksi Makna Simbol Sebagai Identitas Diri dalam Komunitas ‘Brotherhood’di Bandung). Semiotika: Jurnal Komunikasi, 10(1). DOI: http://dx.doi.org/10.30813/s:jk.v10i1.25.
  24. Purtanti, F. P. (2022). Representasi Feminisme Dalam Film Lipstick Under My Burkha.
  25. Putra, J. M., & Novribe, V. (2023). Overcoming Thuggishness in Society in the Context of Providing a Sense of Security (Study in DKI Jakarta Province). Jurnal Pengabdian Pancasila (JPP), 2(3), 135-142. DOI: https://doi.org/10.55927/jpp.v2i3.6080.
  26. Septiana, R., KALANGI, L. M., & TIMBOELENG, D. R. (2019). Makna Denotasi, Konotasi dan Mitos dalam Film Who Am I Kein System Ist Sicher (Suatu Analisis Semiotik). Jurnal Elektronik Fakultas Sastra Universitas Sam Ratulangi, 1(2).
  27. Setiadi, E. F., Azmi, A., & Indrawadi, J. (2019). Youtube sebagai sumber belajar generasi milenial. Journal of Civic Education, 2(3), 313-323.
  28. Sholichah, I. M. A., Putri, D. M., & Setiaji, A. F. (2023). Representasi Budaya Banyuwangi Dalam Banyuwangi Ethno Carnival: Pendekatan Teori Representasi Stuart Hall. Education: Jurnal Sosial Humaniora dan Pendidikan, 3(2), 32-42. DOI: https://doi.org/10.51903/education.v3i2.332.
  29. Sugiyono, D. (2013). Metode penelitian pendidikan pendekatan kuantitatif, kualitatif dan R&D.
  30. Suryadi, K. W. (2022). Analisa semiotika kekerasan rasisme dalam film Detroit. Jurnal Komunitas, 8(1), 27-34.
  31. Wiryanto, W. (2000). Teori Komunikasi Massa.
Similar Articles

Articles sharing related keywords and machine learning classifications:

Representasi Dampak Hoax Pada Film Budi Pekerti Karya Wregas Bhanuteja : Konten Viral
Vol. 5 No. 3 (2024) • DOI: 10.35870/jimik.v5i3.961
Makna Generasi Sandwich Pada Film Cinta Pertama, Kedua, dan Ketiga (Analisis Semiotika Charles Sanders Peirce)
Vol. 5 No. 2 (2024) • DOI: 10.35870/jimik.v5i2.668
Pesan Moral Dalam Film Petualangan Sherina 2 Analisis Semiotika Roland Barthes
Vol. 5 No. 2 (2024) • DOI: 10.35870/jimik.v5i2.741
Representasi Liberalisme dalam Film Gran Turismo (Analisis Semiotika John Fiske)
Vol. 6 No. 1 (2025) • DOI: 10.35870/jimik.v6i1.1135
REPRESENTASI INTERAKSI PUSTAKAWAN DAN PEMUSTAKA PENYANDANG BIPOLAR DALAM FILM KUKIRA KAU RUMAH (ANALISIS SEMIOTIKA ROLAND BARTHES)
Vol. 4 No. 3 (2023) • DOI: 10.35870/jimik.v4i3.297
Most read articles by the same author(s)

Other papers published by author(s) in this journal:

Analisis Framing Kontroversi Pada Olimpiade Paris 2024 di CNN Indonesia dan Republika
Fazriel Irviana Akbar, Ertika Nanda • Vol. 6 No. 1 (2025)
Representasi Liberalisme dalam Film Gran Turismo (Analisis Semiotika John Fiske)
Diky Rizky Prasetyo, Ertika Nanda • Vol. 6 No. 1 (2025)